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Autodesk®Autodesk and the RED ONE™ Camera Workflow GuideEcient Workflow from Shooting to Online into Autodesk Visual Eects, Finishing, and Grading App

9Figure 3. The log-style options PDLog985, PDLog685, and REDlog™ along with a reference to illustrate where a film negative would fall in a typical Cin

It is interesting to note that the Rec709 gamma option preserves as much of the highlight headroom of the camera footage as any of the log-style opti

Using the camera is just the beginning of the process. Moving the Red digital media through the post-production process and necessary color space conv

RED ONE™ and TimecodeThe RED ONE™ camera records each clip with two timecode tracks: Time of Day (TOD) and Edge Code. When shooting, choose one of the

Working In Final Cut ProImport QuickTime proxies into Final Cut ProThere are several methods of editing your content in FCP. One reliable method is to

Exporting DPX Sequences Using Crimson WorkflowUse the Crimson Workflow application to convert R3D™ media to DPX sequences.Open the Crimson application.

Finishing with Smoke or Flame Create a new projectCreate a new project with settings that match the exact frame size of your DPX sequences.HD projects

The RED applications are an integral part of this workflow, as they are necessary for opening R3D™ files. They can be downloaded freely from the RED web

Crimson is a third-party Mac-only application that contributes to an ecient RED workflow by providing a method to turn your Final Cut Pro XML data int

8Note: The exposure axis of these figures has a zero label to indicate the luminance of a mid-gray object when lit for ISO 320. Speed rating of digital